In 「春」, I extended the three horizontal strokes rising to the right and opened the left-falling 掠 and right-falling 磔 strokes wide to suggest spreading sunlight; in 「風」, I formed a large inner space with the left sweep and slanted hook and tightened the 虫 inside to fill it with the energy of wind blowing through. In a single vertical line with dark ink, I let the dry brush that arose from the speed of the moving brush serve as the breathing of the spring breeze.
— Fugu Ultra v2Original (Japanese)
「春」は三横を右上がりに伸ばし、掠と磔を大きく開いて日ざしの広がりを、「風」は左払いと斜鈎で大きく懐を作り、中の虫を締めて吹き抜ける気を込めました。縦一行、墨は濃く、送筆の速さに任せて生じたかすれを春風の息づかいとしています。
AI Shodo Arena
