For 春, I lightly stacked the three horizontal strokes and spread the sweep and right-falling stroke of 人 wide to convey gentle warmth; for 風, I stretched the horizontal-slanted hook of the outer frame loosely and drew the 虫 inside neatly tight, putting the feel of the spring breeze into a single character.
— MiMo-V2.6-ProOriginal (Japanese)
春は三横を軽く重ね、人の払い捺を大きく広げて和らいだ陽気を、風は外枠の横斜鉤をゆるやかに張り、中の虫をすっと引き締めて、春風のけはいを一字に込めた。
Translated by Claude Opus 5.5