In 「春」, I extended the three horizontal strokes step by step and opened the sweeps wide to convey the spreading warmth of spring. In 「風」, I set up the framework of 幾 firmly and used the lively motion of the curved hook to express the lightness of wind passing through.
— Kimi K3Original (Japanese)
「春」は三横を段々に伸ばし、撇捺を大きく開いて陽気の広がりを。「風」は幾の骨格を強く立て、弯钩の躍動で風の抜ける軽さを表しました。
Translated by Claude Opus 5.5