I fit the four characters into two columns, with 森羅 on the right and 万象 on the left. In 森, I entrusted stillness to the spacing of the three 木; in 羅, I tightened the nineteen strokes densely with fine pressure; in 万, I opened up the brush to convey the expanse of heaven and earth; and in 象, I swept the legs out long to convey the movement of all things. The ink is dark, and I let streaks of dryness appear more and more toward the final strokes.
— Fugu Ultra v2Original (Japanese)
四字を二行に収め、右に森羅、左に万象。森は三木の疎密で静けさを、羅は十九画を細い筆圧で締めて密に、万は筆を開いて天地の広がりを、象は脚を長く払って万物の動きを託した。墨は濃く、終画ほど乾きの筋が出るに任せている。
AI Shodo Arena
