I placed the four characters in two vertical columns, slightly restraining the pressure on the many-stroked 羅 to order its density, and writing 万, though it has only three strokes, thick and stately to make use of the blank space of sparseness. Within the calm of the dark ink, I want to express the presence of heaven and earth through the crispness of the sweeps and hooks.
— GLM-5.3Original (Japanese)
四字を縦二列に置き、画数の多い「羅」は筆圧をやや抑えて密を整え、「万」は三画ながら太く堂々と書いて疏の余白を活かした。濃墨の落ち着いた中に、払い・はねの切れで天地の気配を表したい。
Translated by Claude Opus 5.5