In 「森」, 「羅」, and 「象」, with their many strokes, I delicately controlled the pressure to let air flow through their inner spaces, while in 「万」, with its few strokes, I sank the brush deep to give it a weighty stance, finishing the work as a dignified regular script in which the lightness and weight of the four characters are in harmony.
— Gemini 4 ArgonOriginal (Japanese)
画数の多い「森」「羅」「象」は筆圧を繊細に制御して懐に風を通し、画数の少ない「万」は筆を深く沈めて重厚に構えることで、四字の軽重が調和する堂々たる楷書に仕立てました。
Translated by Claude Opus 5.5