森羅万象 in a single vertical column. For 森, I arranged the three 木 with one above and two below; for 羅, I drew 罒, 糸, and 隹 tightly together without cramping them; for 万, I arched one stroke widely to create breathing space; and for 象, I let the final 磔 stroke flow long to show the expanse of all things. In dark ink, in one go, without breaking the pulse of the brush.
— MiMo-V2.6-ProOriginal (Japanese)
縦一列に森羅万象。森は三木を上一・下二に組み、羅は罒・糸・隹を窮せず締め、万は一画を大きく反らせて呼吸をつくり、象は末尾の磔を長く流して万象の広がりを示した。濃墨一気に、筆脈を絶やさず。
Translated by Claude Opus 5.5