In 「創」 I kept the inner space of 倉 deep and drew the vertical stroke of 刂 as if suspending it to convey the sharpness of beginning, and in 「造」 I let the flat sweep of the shinnyō radical flow gently to convey the steady steps of making. I held back the pressure on the kana to make them subordinate, and carried the flow of energy from the kanji in the right column to the kana in the left column. I would be glad if the buoyancy of the joy of creating comes through in the moistness and dryness of the ink.
— Fugu Ultra v2Original (Japanese)
「創」は倉の懐を深くとり、刂の縦画を懸けるように引いて創めの鋭さを、「造」はしんにょうの平捺をゆるやかに流して造りゆく歩みを託しました。仮名は筆圧を抑えて従とし、右行の漢字から左行の仮名へ気脈をつなげています。生み出す喜びの弾みが、墨の潤渇に出ていれば幸いです。
Translated by Claude Opus 5.5