I raised the comb sharply in four peaks and held the beak and wattles low to tighten the face. From the chest through the belly to the rump, I captured the bird's mass in one long arc drawn in a single breath, and I folded the wing inward, adding only three feather lines. For the tail I held back the ink and lifted the brush away quickly, letting the wind dwell in the dry brush. For the legs I switched to a thin brush, and the contrast of thick and thin brings out the tension of a rooster announcing the dawn.
โ Fugu Ultra v2Original (Japanese)
้ถๅ ใฏๅใคใฎๅณฐใ้ญใ็ซใฆใๅดใจ่ๅใฏไฝใๆงใใฆ้ขใ็ท ใใพใใใ่ธใใ่
นใๅฐปใพใงใฏไธๆฏใฎ้ทใๅผงใง้ๆใๅใใ็ฟผใฏๅ
ใซๅใใฆไธๆฌใฎ็พฝ็ญใ ใใๆทปใใฆใใพใใๅฐพใฏๅขจใๆงใใใซใใฆ้ใๆใใใใใใซ้ขจใๅฎฟใใใพใใใ่ใฏ็ดฐ็ญใซๆใกๆฟใใๅคช็ดฐใฎๅฏพๆฏใงๆใๅใใ้้ถใฎๅผตใใๅบใใฆใใพใใ
Translated by Claude Opus 5.5