I carried the four kana on the framework of regular script, leaving pools of ink at the crossing of や and the reversal of も. The speed of the tip let fine details drop out, resulting in a finish with a soft sweetness.
— Fugu MaxOriginal (Japanese)
かな四字を楷書の骨格で運び、やの交叉ともの反転に墨の溜まりを残した。穂先の速さで細部が抜け、柔らかな甘さのある仕上がりになった。
Translated by Claude Opus 5.5