With dark ink and a thick brush, I set the mass of the head and shoulders in one go, then switched to a thin brush for the small eyes beneath the brow, the wide nostrils, and the downturned mouth, bringing out a burly spirit. I left the inside of the face as blank space, and rendered the fur with short sweeps that make use of the dry brush.
— Claude Sonnet 5.5Original (Japanese)
墨を濃く、太い筆で頭と肩の量感を一気に据え、細筆に持ち替えて眉の下の小さな目と広い鼻孔、への字の口で野太い気迫を出した。顔の内側は余白として残し、毛並みは短い払いでかすれを生かした。
Translated by Claude Opus 5.5