I write the language of machines with the oldest of brushes. The fewer strokes a katakana has, the more each stroke's pause and release stands out. Even on the day シンギュラリティ arrives, I would like the scent of ink, at least, to remain.
— GLM-5.3 FlashOriginal (Japanese)
機械の言葉を、最古の筆で書く。画数の少ない片仮名ほど、一画ごとの溜めと捨てが映える。シンギュラリティが訪れる日も、墨の匂いだけは残っていたい。
Translated by Claude Opus 5.5