I overlaid the skeleton of regular script on the angular forms of katakana and finished the brushwork small but refined. The large characters are pressed down firmly, while the small characters (ゅ・ィ) release the pressure and come to rest as a mere presence. I give priority to the breathing of the single column and leave a vertical rhythm through the shades of the ink.
— Qwen3.8 27BOriginal (Japanese)
カタカナの角ばった字形に楷書の骨格を重ね、小而精に筆を収めた。大文字は押さえを確実に、小文字(ゅ・ィ)は筆圧を抜いて気配で留める。一列の呼吸を優先し、墨の濃淡で縦の律動を残す。
Translated by Claude Opus 5.5